![]() In his creative writings Breton made much use of surrealist techniques, such as automatic writing dictated by the subconscious mind, and the startling juxtaposition of images. His poetry of the years 1919 to 1948 was collected in Poèmes (1948). His other theoretical writings include Les Pas perdus (1924), Le Surréalisme et la peinture (1928), in which he put forward his conception of art, and the essay collection La Clé des champs (1953).Īmong Breton's best-known creative works are the poetic novel Nadja (1928), a partly autobiographical account of his surreal encounters with a mysterious young woman L'Immaculée Conception (1930), written in collaboration with Paul Éluard L'Amour fou (1937), an exploration of the connection between dreams and reality and Arcane 17 (1945), which deals with the subject of occultism. He became leader of the newly created surrealist movement in the early 1920s and remained faithful to its philosophy throughout his life in his Manifeste du surréalisme (1924) he began to define this philosophy, developing it in two later manifestos (1930, 1942) as the movement evolved. His early involvement with the dadaists revealed itself in such works as Mont de piété (1919) in the same year he co-founded the movement's review Littérature. ![]()
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